A Viola da Gamba Bibliography
Compiled by Taco Stronks and Johannes Boer

This bibliography surveys books and articles on the viol which have primarily been published over the last few decades up to 1995. It does not claim to be complete.

*This bibliography was made for the proceedings of the International Viola da Gamba Symposium 1991 organised by STIMU.

Abbreviations:
EM:	Early Music
GSJ:	The Galpin Society Journal
JVdGSA:	Journal of the Viola da Gamba Society of America
Mf:	Die Musikforschung
ML:	Music & Letters
MQ:	The Musical Quarterly
PRMA:	Proceedings of the Royal Musical Association

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Abbey, H. 'Sir Peter Leycester's Book on Music', JVdGSA 21 (1984), pp. 28-44.
Abbot, D. and E. Segerman. 'Strings in the Sixteenth and Seventeenth Centuries', GSJ 27 (1974), pp. 48-73.
Abbot, D. and E. Segerman. 'Gut Strings', EM 4 (1976), pp. 430- 437.
Agren, C.H. 'Some Observations and Measurements on the Acoustical Properties of the Viol Family', The Consort 25 (1968-1969), pp. 384-389.
Agren, C.H. 'The Sound of Viols', Chelys 4 (1972), pp. 22-34.
Agren, C.H. 'The Sweet Sound of the Viol', EM 8 (1980), pp. 72- 75.
Agren, C.H. 'Diatonic Fingering on Treble and Pardessus Viols', Chelys 13 (1984), pp. 61-76.
Agren, C.H. 'The Use of Higher Positions on the Treble Viol', Chelys 19 (1990), pp. 44-54.
Albini, E. 'La viola da gamba in Italia', Rivista musicale italiana 28 (1921), pp. 82-93.
Allsop, P. 'The Role of the Stringed Bass as a Continuo Instrument in Italian Seventeenth-Century Instrumental Music', Chelys 8 (1978-1979), pp. 31-37.
Andriessen, P. Carel Hacquart (1640-1701). Een bibliografische bijdrage. Het werk (Brussels, 1974).
Appel, B.R. 'Christopher Simpsons Systematik der Divisionsverfahren (1667)', Mf 35 (1982), pp. 223-234.
Arkwright, G. 'Elizabethan Choirboy Plays and their Music', Proceedings of the Musical Association 11 (1913-1914), pp. 117- 136.
Arnold, F.T. 'Die Viola Pomposa', Zeitschrift für Musikwissenschaft 13 (1930-1931), pp. 141-145; 14 (1931-1932), p. 35.
Ashbee, A. The Four-Part Instrumental Compositions of John Jenkins (Diss. University of London, 1966).
Ashbee, A. 'John Jenkins's Fantasia-Suites for Treble, Two Basses and Organ', Chelys 1 (1969), pp. 3-15; 2 (1970), pp. 6-17.
Ashbee, A. 'The Four-Part Consort Music of John Jenkins', PRMA 96 (1969-1970), pp. 29-42.
Ashbee, A. 'A Further Look at Some of the Le Strange Manuscripts', Chelys 5 (1973-1974), pp. 24-41.
Ashbee, A. 'Towards the Chronology and Grouping of Some Airs by John Jenkins', ML 55 (1974), pp. 30-44.
Ashbee, A. 'Music for Treble, Bass and Organ by John Jenkins', Chelys 6 (1975-1976), pp. 25-42.
Ashbee, A. 'Instrumental Music from the Library of John Browne (1608-1691), Clerk of Parliaments', ML 58 (1977), pp. 43-59.
Ashbee, A. 'The Six-Part Consort Music of John Jenkins. An Editor's View', Chelys 7 (1977), pp. 54-68.
Ashbee, A. 'John Jenkins, 1592-1678, and the Lyra Viol', The Musical Times 119 (1978), pp. 840-843.
Ashbee, A. 'John Jenkins (1592-1678). The Viol Consort Music in Four, Five and Six Parts', EM 6 (1978), pp. 492-500.
Ashbee, A. 'John Jenkins, 1592-1678', The Consort 34 (1978), pp. 265-273.
Ashbee, A. (e.a.) John Jenkins (1592-1678). A Booklet Produced at the Tercentary of his Death (London, 1978).
Ashbee, A. 'A Not Unapt Scholar. Bulstrode Whitelocke (1605- 1675)', Chelys 11 (1982), pp. 24-31.
Ashbee, A. Records of English Court Music (Snodland, Kent, 1986- ).
Ashbee, A. The Harmonious Music of John Jenkins (Surbiton, 1992).

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Bacher, J. Die Viola da Gamba (Kassel, 1932).
Bachmann, G.T. 'A List of Doctoral Dissertations Accepted by American Universities on the Viol da Gamba. Its Music, Composers, and Performers', JVdGSA 4 (1967), pp. 68-71.
BachmannW. Die Anfänge des Streichinstrumentenspiels (Leipzig, 1964).
Baines, F. 'Der Brummende Violone', GSJ 23 (1970), pp. 82-85.
Baines, F. 'Fantasias for the Great Dooble Base', Chelys 2 (1970), pp. 37-38.
Baines, F. 'What is Exactly a Violone? A Note towards a Solution', EM 5 (1977), pp. 173-176.
Baines, F. 'The Consort Music of Orlando Gibbons' EM 6 (1978), pp. 540-543.
Baines, F. 'Life with the Viol. Francis Baines Talks about the Jaye Consort and the Revival of a Tradition' EM 6 (1978), pp. 45- 46.
Baines, F. 'On Making Viols. Talking to Dietrich Kessler', EM 6 (1978), pp. 551-555.
Baines, F. 'The Five-String Fretted Double Bass', GSJ 41 (1988), pp. 107-109.
Baker, D. 'The Instrumental Consort Music of Robert Parsons', Chelys 7 (1977), pp. 4-23.
Baker, D. and J. 'The Browning [I]', Chelys 10 (1981), pp. 4-10.
Balfoort, D.J. 'De tenor-viola da gamba', Caecilia 90 (1933), pp. 164-169; 90 (1933), pp. 180-183.
Balfoort, D.J. 'De beteekenis van de snaarbanden (Bünde) op de viola da gamba', Caecilia 91 (1934), pp.371-373.
Becker, L. La viole de gambe (Paris, 1982).
Beecher, D. 'Aesthetics of the French Solo Viol Repertory, 1650- 1680', JVdGSA 24 (1987), pp. 10-21.
Bellingham, B. 'The Musical Circle of Anthony Wood in Oxford during the Commonwealth and Restoration', JVdGSA 19 (1982), pp. 6-70.
Bennet, J. and P. Willets. 'Richard Mico', Chelys 7 (1977), pp. 24-46.
Bennet, J. 'John Oker/Okeover', Chelys 16 (1987), pp. 3-11.
Bennet, J. 'Byrd and Jacobean Consort Music. A look at Richard Mico', in Byrd Studies, eds. A. Brown and R. Turbet (Cambridge, 1992), pp. 129-140.
Benoit, M. and N. Dufourq. 'A Propos de Forqueray', Recherches 8 (1968), pp. 229-241.
Benoit, M. Versailles et les musiciens du roi 1661-1733 (Paris, 1970).
Benoit, M. Musique de cour. Chapelle, chambre, écurie, 1661-1773 (Paris, 1971).
Bertenshaw, D. The Influence of the Late Sixteenth-Century Italian Polyphonic Madrigal on the English Viol Consort Fantasy c. 1600-1645. A Background Study (Diss. University of Leicester, 1992).
Bishop, W.H. 'Translation of Maugar's Response faite a un curieux sur le sentiment de la musique d'Italie', JVdGSA 8 (1971), pp. 5-17.
Bloch, M.-F. Traité historique de la viole de gambe (Diss. University of Strasbourg, 1971).
Bock, E. W. The String Fantasies of John Hingeston (c.1610-83) (Diss. University of Iowa, 1956).
Bodig, R.D. 'Silvestro Ganassi's Regola Rubertina. Revelations and Questions', JVdGSA 14 (1977), pp. 61-70; 18 (1981), pp. 13- 66; 19 (1982), pp. 99-163.
Boetticher, W. Handschriftlich überlieferte Lauten- und Gitarrentabulaturen des 15. bis 18. Jahrhunderts (München, 1978).
Bol, H. 'Bij het 400-Jarig jubileum van Diego Ortiz' viola da gamba-school', Mens en Melodie 8 (1953), pp. 398-400.
Bol, H. 'De bespelingswijze van de viola da gamba', Mens en Melodie 13 (1958), pp. 294-296.
Bol, H. La basse de viole du temps de Marin Marais et d'Antoine Forqueray (Bilthoven, 1973).
Bonta, S. 'From Violone to Violoncello. A Question of Strings?', Journal of the American Musical Instrument Society 3 (1977), pp. 64-99.
Bonta, S. 'Terminology for the Bass Violin in Seventeenth-Century Italy', Journal of the American Musical Instrument Society 4 (1978), pp. 5-42.
Bonta, S. 'Catline Strings Revisited', Journal of the American Musical Instrument Society 14 (1988), pp.38-60.
Borgir, T. The Performance of the Basso Continuo in Italian Baroque music (Studies in Musicology 90, Ann Arbor, 1987).
Bottenberg, F.E. The Treble Viol (North Troy, Vermont, 1980).
Bonfils, J. 'Les fantasies instrumentales d'Eustache de Cauvroy', Recherches 2 (1961-1962), pp. 5-29.
Bouvet, C. 'Les pièces de viole de François Couperin', Revue de musicologie 6 (1922), pp. 62-65.
Bowles, E.A. Musical Ensembles in Festival Books, 1500-1800. An Iconographical and Documentary Survey (Ann Arbor, 1989).
Boyden, D. History of Violin Playing from its Origins to 1761 and its Relationship to the Violin and Violin Music (London, 1965).
Bram, M. 'An Interview with August Wenzinger', JVdGSA 12 (1975), pp. 77 ff.
Brett, P. 'The English Consort Song, 1570-1625', PRMA 88 (1961- 1962), pp. 73-88.
Brookes, V. 'The Four-Part In Nomines of John Ward', Chelys 16 (1987), pp. 30-35.
Brown, H.M. Sixteenth-Century Instrumentation. The Music for the Florentine Intermedii (Musicological Studies and Documents 30, Rome, 1973).
Brown, H.M. 'Notes on the Viol in the 20th Century', EM 6 (1978), pp. 47-56.
Brown. H.M. 'Notes (and Transposing Notes) on the Viol in the Early Sixteenth Century', in Music in Medieval and Early Modern Europe. Patronage, Sources and Texts, ed. I. Fenlon (Cambridge, 1981), pp. 61-78.
Brown, H.M. 'The Trecento Fiddle and its Bridges' EM 17 (1989), pp. 307-329.
Burnett, H. 'The Bowed Stringed Instruments of the Baroque Basso Continuo, ca. 1680-ca. 1752, in Italy and France. The Various Meanings of the Term Violone', JVdGSA 7 (1970), pp. 65-91; 8 (1971), pp. 29-63.

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Caldwell, J. 'Antique Viols and Related Instruments from the Caldwell Collection', JVdGSA 11 (1974), p. 60-89.
Cantrell, D.W. 'Arnault's Lute, the Modulus of Elasticity of Mersenne's Gut, and the Downbearing Ratio', GSJ 34 (1981), pp. 147-148.
Catch, J.R. 'The Gambino', Chelys 11 (1982), pp. 8-12.

Catch, J.R. 'James Talbot's Viols', Chelys 17 (1988), pp. 33-38.
Catch, J.R. 'Bach's Violetta. A Conjecture', Chelys 21 (1992), pp. 79-80.
Caudle, M. 'The English Repertory for Violin, Bass Viol and Continuo', Chelys 6 (1975-1976), pp. 69-75.
Chan, M. and J. Kassler. Roger North's The Musicall Grammarian 1728 (Cambridge, 1990).
Charles, A.M. 'Georg Herbert. Priest, Poet, Musician', JVdGSA 4 (1967), pp. 27-36.
Charteris, R. 'A Rediscovered Source of English Consort Music', Chelys 5 (1973-1974), pp. 3-6.
Charteris, R. 'Matthew Hutton (1638-1711) and his Manuscripts in York Minster Library', GSJ 28 (1975), pp. 2-6.
Charteris, R. Alfonso Ferrabosco the Elder (1543-88). A Thematic Catalogue of his Music with a Bibliographical Calendar (Thematic Catalogue Series 11, New York, 1977).
Charteris, R. 'Another Six-Part Fantasia by Martin Peerson?', Chelys 9 (1980), pp. 4-9.
Charteris, R. 'A Postscript to "John Coprario. A thematic catalogue of his music with a biographical introduction" (New York, 1977)', Chelys 11 (1982), pp. 13-19.
Charteris, R. 'English Music in the Library of Moritz, Landgrave of Hessen-Kassel, in 1613', Chelys 15 (1986), pp. 33-37.
Charteris, R. 'New Information about Some of the Consort Music Manuscripts in Archbishop Marsh's library, Dublin', The Consort 43 (1987), pp. 38-39.
Charteris, R. 'The Origin of Alfonso Ferrabosco the Elder's Six- Part Fantasia C 224', Chelys 16 (1987), pp. 12-15.
Cheney, S. Dubuisson. A Study of his Music for Solo Bass Viol (Diss. University of North Texas, 1989).
Cheney, S. 'A Summary of Dubuisson's Life and Sources', JVdGSA 27 (1990), pp. 7-21.
Christensen, J. 'Per Nrgård's Works for Early Music Ensemble' JVdGSA 22 (1985), pp. 35-41. Clarkson, F.A. 'The Influence of the Viol Technique on the Violin Familiy', The Strad 81 (1970), pp. 105 ff.
Coates, W. 'English Two-Part Viol Music', ML 33 (1952), pp. 141- 150.
Cohen, A. 'How to Teach Yourself the Rudiments of Playing Viol. A Seventeenth-Century Account', Am Mus TCR 11 (1961), pp. 11 ff.
Cohen, A. 'The Fantaisie for Instrumental Ensemble in 17th- Century France. Its Origin and Signifance', MQ 48 (1962), pp. 234-243.
Cohen, A. 'A Study of Instrumental Practice in Seventeenth- Century France', GSJ 15 (1962), pp. 3-17.
Cohen, A. 'An 18th-Century Treatise on the Viol by Etienne Loulié', JVdGSA 3 (1966), pp. 17-23.
Cowling, E. 'Were the Early Violoncello Sonatas Transcriptions of Sonatas Originally Written for the Bass Viola da Gamba', JVdGSA 5 (1968), pp. 56-69.
Cowling, E. 'A Manuscript Collection of Viola da Gamba Music', JVdGSA 1 (1964), pp. 16-29.
Coxon, C. John Jenkins. A Critical Study (Diss. University of Edinburgh, 1969).
Coxon, C. 'Some Notes on English Graces for the Viol', Chelys 2 (1970), pp. 18-22.
Crawford, T. 'An Unusual Consort Revealed in an Oxford Manuscript', Chelys 6 (1975-1976), pp. 61-68.
Crawford, T. 'Allemande Mr. Zuilekom. Constantijn Huygens's Sole Surviving Instrumental Composition', Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis 37 (1987), pp. 175-181.
Crawford, T. 'Constantijn Huygens and the "Engelsche Viool"', Chelys 18 (1989), pp. 41-60.
Crum, A. 'Improve Your Consort Playing. A Practical Study of John Jenkins, Fantasy a 6 in A minor, VdGS No. 8', Chelys 13 (1984), pp. 39-46.
Crum, A. and S. Jackson. 'French Suites for Viol', Strings 4 (1989), pp. 48-51.
Crum, A. Play the Viol. The Complete Guide to Playing the Treble, Tenor and Bass Viol (Oxford, 1989).
Crum, M. 'The Consort Music from Kirtling, Bought for the Oxford Music School from Anthony Wood, 1667', Chelys 4 (1972), pp. 3-10.
Cyr, M. 'A Seventeenth-Century Source of Ornamentation for Voice and Viol. British museum MS. Egerton 2971', RMARC 9 (1971), pp. 53-72.
Cyr, M. 'Song Accompaniments for Lyra Viol and Lute', Journal of the Lute Society of America 4 (1971), pp. 43-49.
Cyr, M. 'Traditions of Solo Viol Playing in France and the Music of Morel', JVdGSA 10 (1973), pp. 81-87.
Cyr, M. 'The Viol in Baroque Paintings and Drawings', JVdGSA 11 (1974), pp. 5-16.
Cyr, M. 'Solo Music for the Treble Viol', JVdGSA 12 (1975), pp. 5-13.
Cyr, M. 'Carl Friedrich Abel's solo's. A Musical Offering to Gainsborough?', The Musical Times 128 (1987), pp. 317-321.

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Danks, H. 'The English Viols', The Strad 66 (1956), pp. 408-412, 450-452.
Danks, H. 'The Family of Viols', Violins and Violinists 19 (1958), pp. 21-24, 45, 72-75, 110-114, 248-250.
Dart T. 'Jacobean Consort Music', PRMA 81 (1954-1955), pp. 63- 75.
Dart, T. 'The Printed Fantasies of Orlando Gibbons', ML 37 (1956), pp. 342-349.
Dart, T. 'Ornament Signs in Jacobean Music for Lute and Viol', GSJ 14 (1961), pp. 30-33.
Davidoff, J. 'The New York Pro Musica and the Soviet Union. Personal Observations of a Viol Player', JVdGSA 2 (1965), pp. 30- 33.
Denis, V. 'Musical Instruments in Fifteenth-Century Netherlands and Italian Art', GSJ 2 (1949), pp. 32-46.
Disertori, B. 'Un incunabolo di assolo per il violone', Rivista musicale italiana 46 (1942), pp. 455-471.
Dixon, G. 'Continuo Scoring in the Early Baroque. The Role of Bowed-Bass Instruments', Chelys 15 (1986), pp. 38-53.
Döbereiner, C. 'Über die Viola da Gamba und ihre Verwendung bei Joh. Seb. Bach', BJb 8 (1911), pp. 75-85.
Döbereiner, C. Schule für die Viola da Gamba (Mainz, 1936).
Dodd, G. 'Provisional Index of Viol Music', Viola da Gamba Society Bulletin 24-28 (1965-1968).
Dodd, G. 'The Coperario-Lupo Five-Part Books at Washington', Chelys 1 (1969), pp. 36-40.
Dodd, G. 'Richard Deering. Viol Consort Works', JVdGSA 2 (1970), pp. 44-48.
Dodd, G. 'The Chest of Viols Reconsidered', Chelys 3 (1971), pp. 22-24.
Dodd, G. 'A Study in Consort Interpretation. William Lawes's Six- Part Consort Suite No. 2 in C (Fantasy 1, Fantasy 2, Aire)', Chelys 5 (1973-1974), pp. 42-50.
Dodd, G. 'An Essay in Consort Interpretation', JVdGSA 12 (1975), pp. 37-44.
Dodd, G. 'William Lawes' Royall Consort Suite No. 9 in F', Chelys 6 (1975-1976), pp. 4-9.
Dodd, G. 'Alfonso Ferrabosco II. The Art of the Fantasy', Chelys 7 (1977), pp. 47-53.
Dodd, G. 'A Summary of Music for Viols', EM 6 (1978), pp. 262- 267.
Dodd, G. Thematic Index of Music for Viols. (London, 1980- ).
Dodd, G. 'Matters from Examination of Lyra-Viol Manuscripts', Chelys 9 (1980), pp. 23-27.
Dodd, G. 'Tablature without Tears?', Chelys 12 (1983), pp. 43-46.
Dodd, G. 'Grounds for Putting Simpson into Practice', JVdGSA 20 (1983), pp 60-67.
Dodd, G. 'A Study in Consort Interpretation. William Lawes's Six- Part Consort Set in G minor', Chelys 20 (1991), pp. 52-61.
Dolesji, R. 'Ancient Viol Tunings', Violins and Violinists 10 (1949), pp. 270-273, 325-329; 11 (1950), pp. 32-35, 71-76.
Dolmetsch, A. 'The Viols', The Consort 38 (1982), pp. 467-471.
Dolmetsch, C. 'The Pardessus de Viol or Chanterelle', JVdGSA 3 (1966), pp. 56-59.
Dolmetsch, N. Twelve Lessons on the Viola da Gamba, with Advice by Simpson, Mace, Marais, Rousseau, Le Blanc (London, 1950).
Dolmetsch, N. 'The First Essentials of Viola da Gamba Technique', The Strad 68 (1957), pp. 240-244.
Dolmetsch, N. 'The Viola da Gamba as a Solo Instrument', The Strad 68 (1958), pp. 320-324.
Dolmetsch, N. 'Ornamentation and Interpretation on the Viol', The Strad 68 (1958), pp. 400-406.
Dolmetsch, N. 'The Consort of Viols', The Strad 69 (1959), pp. 312-318.
Dolmetsch, N. The Viola da Gamba. Its Origin and History, its Technique and Musical Resources (London, 1962).
Dolmetsch, N. 'Of the Size of Viols', GSJ 17 (1964), pp. 24-27.
Dolmetsch, N. 'Of Bridges and Fingerboards', Chelys 5 (1973- 1974), pp. 21-23.
Dolmetsch, N. 'Bows and Bowing', JVdGSA 14 (1977), pp. 53-60.
Dolmetsch, N. [trans.]. 'Jean Rousseau's Traité de la viole (1687)', The Consort 33 (1977), pp. 225-236; 34 (1978), pp. 302- 311; 36 (1980), pp. 365-370; 37 (1981), pp. 402-411; 38 (1982), pp. 463-466.
Dolmetsch, N. 'Antique Bowed Instruments in the Dolmetsch Collection', JVdGSA 15 (1978), pp. 51-87.
Donington, R. and T. Dart. 'The Origin of the In Nomine', ML 30 (1949), pp. 101-106.
Donington, R. 'James Talbot's Manuscript. II. Bowed Strings', GSJ 3 (1950), pp. 27-45.
Donington, R. 'Up with the Trill!', JVdGSA 6 (1969), pp 49-53.
Donington, R. 'James Talbot's Manuscript. Bowed Strings', Chelys 6 (1975-1976), pp. 43-60.
Downie Banks, M. 'Rebec in French Literary Sources from 1379 to 1780', JVdGSA 19 (1982), pp. 71-98.
Downie Banks, M. 'North Italian Viols at the Shrine to Music Museum', JVdGSA 21 (1984), pp. 7-27.
Dreyfus, L. Bach's Continuo Group. Players and Practices in his Vocal Works (Studies in the History of Music 3, Cambridge, 1987).
Droysen, D. Die Saiteninstrumenten des Frühen und Hohen Mittelalters (Diss. University of Hamburg, 1961).
Dubuquoy-Portois, C. 'Le pardessus de viole au XVIIIe siècle. Un nouvel instrument de divertissement', in Instrumentistes et luthiers parisiens XVIIIe-XIXe siècles, ed. Florence Gétreau (Paris, 1988).

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Eckartz, G. 'Skizzen zur Geschichte der Gambe', Orchester 27 (1979), pp. 271-273.
Edgerton, S.A. The Bass Part in Haydn's Early Symphonies. A Documentary and Analytical Study (Diss. Cornell University, 1989).
Edmunds, M. and I. Harwood 'Reconstructing 16th-Century Venetian Viols', EM 6 (1978), pp. 519-525.
Edmunds, M. 'Venetian Viols of the Sixteenth Century', GSJ 33 (1980), pp. 74-91.
Edwards, W.A. The Sources of Elizabethan Consort Music (Diss. University of Cambridge, 1974).
Edwards, W.A. 'The Performance of Ensemble Music in Elizabethan England', PRMA 97 (1970-1971), pp. 113-123.
Eggers, W. Die "Regola Rubertina" des Silvestro Ganassi, Venedig 1542/43. Eine Gambenschule des 16. Jahrhunderts (Kassel, 1974).
Einstein, A. Zur Deutschen Literatur für Viola da Gamba im 16. und 17. Jahrhundert (Leipzig, 1905). [English translation and annotations by Richard D. Bodig in JVdGSA 23 (1986), pp. 81-92; 24 (1987), pp. 51-64; 25 (1988), pp. 29-52; 26 (1989), pp. 7-83; 29 (1992), pp. 27-64.]
Elliot, M. Technique and Style in the Performance of Marais. An Examination of Eighteenth-Century Handwritten Markings in Livre IIeme (Diss. Stanford University, 1979).
Elste, M. Die Viola da Gamba. Instrumente-Spieltechnik-Repertoire (Berlin, 1983).
Eppstein, H. Studien über J.S. Bach's Sonaten für ein Melodieinstrument und obligates Cembalo (Acta Universitatis Uppsalensis 2, Uppsala, 1966).
Eras, R. Über das Verhältnis zwischen Stimmung und Spieltechnik bei Streichinstrumenten in Da-Gamba Haltung (Diss. University of Leipzig, 1958).
Erhard, A. 'Zur Lyra-Viol-Musik', Mf 27 (1974), pp. 80-86.
Erlebach, R. 'William Lawes and his String Music', Proceedings of the Musical Association 59, (1932-1933), pp. 103-119.
Ernst, F. 'Nomenclature of the Bowed Stringed Instruments, trans. Virginia Meritt Hefler', JVdGSA 4 (1967), pp. 37-42.
Evans, P. 'Seventeenth-Century Chamber Music Manuscripts at Durham', ML 36 (1955), pp. 205-223.
Eyler, F. 'Segerman and Ropes', Newsletter of the Lute Society of America 22 (1987), pp. 13-17.

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Fairley, E.L. Studies in the Music of Matthew Locke (Diss. University of Rochester, New York, 1941).
Fairley, E.L. 'The String Fantasias of Matthew Locke', Bulletin of the American Musicological Society 7 (1943), pp. 9.
Falk, M. 'Marin Marais, gambiste du roi soleil', Schweizerische Musikzeitung 95 (1955), pp. 348-350.
Farrell, P. 'The Viol in France', JVdGSA 2 (1965), pp. 21-29.
Farrell, P. 'Diego Ortiz' Tratado de Glosas', JVdGSA 4 (1967), pp. 5-9.
Farrell, P. 'On the Use of Slurs in English Viol Music', JVdGSA 16 (1979), pp. 5-21.
Ferrari, P. 'La liuteria veneziana del Cinquecento e la viola da gamba di Antonio Ciciliano del Museo Civico di Bologna' Il flauto dolce 17/18 (1987-1988), pp. 49-53.
Field, C.D.S. The English Consort Suite of the Seventeenth Century (Diss. University of Oxford, 1970).
Field, C.D.S. 'Matthew Locke and the Consort Suite', ML 51 (1970), pp. 15-25.
Finlay, J.F. 'Musical Instruments in 17th-Century Dutch Paintings', GSJ 6 (1953), pp. 52-69.
Finson, J.W. 'The Violone in Bach's Brandenburg Concerti' GSJ 29 (1976), pp. 105-111.
Fitzgibbon, H.M. 'Instruments and Their Music in the Elizabethan Drama', MQ 17 (1931), pp. 319-329.
Fleming, M. 'Viol drawings', Chelys 18 (1989), pp. 30-40.
Ford, R. 'John Ward of Canterbury', JVdGSA 23 (1986), pp. 51-63.
Ford, R. 'Clement Woodcock's Appointment at Canterbury Cathedral', Chelys 16 (1987), pp. 36-43.
Forqueray, L. Musiciens d'autrefois. Les Forquerays et leurs descendants. (Paris, 1911).
Fruchtman, E. 'Transition from the Viola da Gamba to the Violoncello in the 18th Century', American String Teacher 13 (1963), p. 10-12.
Fruchtman, E. 'Transcription as an Element in Performance Practice', JVdGSA 4 (1967), pp. 10-13.
Furnas, P. L. The Manchester Gamba Book. A Primary Source of Ornaments for the Lyra-Viol (Diss. Stanford University, 1978).
Furnas, P. 'Reverberations on the Use of Vibrato on the Viol', JVdGSA 8 (1971), pp. 18-28.

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Gable, F.K. 'Possibilities for Mean-tone Temperament Playing on Viols'. JVdGSA 16 (1979), pp. 22-39.
Galpin, F.W. Old English Instruments of Music. Their History and Character (London, 3/1932).
Gammie, I. 'Sylvestro Ganassi: Regola Rubertina (1542), Lettione Seconda (1543). A Synopsis of the Text Relating to the Viol', Chelys 8 (1978-1979), pp. 23-30.
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Green, R.A. 'Jean Rousseau and Ornamentation in French Viol Music', VdGSA 14 (1977), pp. 4-41.
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Hadaway, R. 'Another Look at the Viol', EM 6 (1978), pp. 530-539.
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Heydon, J.J. Martin Peerson's "Private Musicke". A Transcription, Edition, and Study of an Early 17th-Century Collection of English Consort Songs (Diss. University of Oregon, 1990).
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Hoover, E.M. 'Building a Viol. Project or Pipe Dream?', JVdGSA 1 (1964), pp. 63-69.
Horsley, I. 'Improvised Embellishment in the Performance of Renaissance Polyphonic Music', Journal of the American Musicological Society 4 (1951), pp. 3-19.
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Hughes, C.W. 'The Music for Unaccompanied Bass Viol', ML 25 (1944), pp. 149-163.
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Irving, J. 'A Note on British Library Add. Mss 30826-8', The Consort 43 (1987), pp. 17-23.
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Jaquier, P. and J.L. Charbonnier. L'art de jouer la basse de viole (Paris, 1987).
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Kämper, D. 'La Gamba. Foliabearbeitungen für Instrumentalenensemble um die Mitte des 16.
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Margrave, W. 'Review of Modern Methods for the Viola da Gamba', JVdGSA 1 (1964), pp. 39-50.
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Rutledge, J. 'Hubert LeBlanc's Concept of Viol Sound'. JVdGSA 17 (1980), pp. 28-37.
Rutledge, J. 'Towards a History of the Viol in the 19th Century', EM 12 (1984), pp. 328-436.
Rutledge, J. 'Paul de Wit. Reviver of the Viols', JVdGSA 23 (1986), pp. 19- 26.
Rutledge, J. 'The Fretless Approach to Gamba Playing', JVdGSA 28 (1991), pp. 21-47.
Rutledge, J. 'Late 19th-Century Viol Revivals', EM 19 (1991), pp. 409-418.

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Sachs, C. 'Die Viola Bastarda', Zeitschrift der Internationalen Musikgesellschaft 15 (1913-1914), pp. 123-125.
Sadie J.A. 'Marin Marais and his Contemporaries', The Musical Times 119 (1978), pp. 672-674.
Sadie, J.A. 'Montéclair, the Viol Player's Composer', JVdGSA 15 (1978), pp. 41-50.
Sadie, J.A. 'Bowed Continuo Instruments in French Baroque Chamber Music', PRMA 105 (1978-1979), pp. 37-49.
Sadie, J.A. The Bass Viol in French Baroque Chamber Music (Ann Arbor, 1981).
Sadie, J.A. 'Handel. In Pursuit of the Viol', Chelys 14 (1985), pp. 3-24.
Salmen, W. (e.a.) Jakob Stainer und seine Zeit (Bericht über die Jakob Stainer Tagung, Innsbruck 1983) (Innsbrucker Beiträge zur Musikwissenschaft 10, Innsbruck, 1984).
Sandford, G. 'A Composer Index for Gordon Dodd's Thematic Index, JVdGSA 23 (1986), pp. 72-80.
Sandford, G. 'Percy Grainger and the Viol Consort', The Consort 43 (1987), pp. 35-37.
Saunders, S. 'Giovanni's Valentini's "In Te Domine Speravi" and the Demise of the Viola Bastarda'. JVdGSA 28 (1991), pp. 1-20.
Sawyer. J. 'Music for Two and Three Lyra Viols', Journal of the Canadian Association of University Schools of Music 1 (1971), pp. 71 ff.
Sawyer, J. An Anthology of Lyra Viol Music in Oxford, Bodleian Library, Manuscripts Music School d245-7 (Diss. University of Toronto, 1972).
Schmidt, H. 'Rekonstruktion einer Stradivari-Gambe. Die Viola da Gamba der Violinfamilie', Instrumentbau-Zeitschrift 41 (1987), pp. 594-596.
Schuetz, S. Ein Einführung in die Zeitgenössische Gambenliteratur (Nürnberg, 1990).
Schulz, W. 'Betrachtungen über das Gambenspiel', Die Musik 26 (1934), pp. 433-435.
Schwendowius, B. Die solistische Gambenmusik in Frankreich von 1650 bis 1740 (Kölner Beiträge zur Musikforschung 59, Regensburg, 1970).
Seagrave, B. The French Style of Violin Bowing and Phrasing from Lully to Jaques Aubert (1650-1730) (Diss. Stanford University, 1959).
Segerman, E. 'Eyler and Catlines', Newsletter of the Lute Society of America 22 (1987), pp. 10-13.
Segerman, E. 'A 1656 Tabley Ms. On Viol Players, Cittern and Gittern', Fellowship of Makers and Researchers of Historical Instruments Quarterly 46 (1987), pp. 34-35.
Segerman, E. 'An Embryonic Bass Bar?', Fellowship of Makers and Researchers of Historical Instruments Quarterly 46 (1987), pp. 30-34.
Segerman, E. 'On Praetorius and English Viol Pitches' Chelys 17 (1988), pp. 24-27.
Senn, W. and K. Roy. Jakob Stainer (Das Musikinstrument 44, Frankfurt, 1986).
Sicard, M. 'The French Viol School before 1650', JVdGSA 18 (1981), pp. 76- 93.
Sicard, M. 'The French Viol School. The Repertory from 1650 to Sainte- Colombe (about 1680),' JVdGSA 22 (1985), pp. 42-55.
Silbiger, A. 'The First Viol Tutor. Hans Gerle's Musica Teutsch, JVdGSA 6 (1969), pp. 34-48.
Sleeper, H.J. 'John Jenkins and the English Fantasia-Suite for String Ensemble', Bulletin of the American Musicological Society 4 (1940), p. 34.
Sleeper, W.A. Harmonic Style of Four-Part Viol Music of Jenkins, Locke, and Purcell (Ann Arbor, 1968).
Smet, R. de. Published Music for the Viola da Gamba and Other Viols, (Detroit Studies in Music Bibliography 18, Detroit, 1971).
Smith, K.E. Music for Voices and Viols. A Contextual Study and Critical Performing Edition of Verse Anthems in Christ Church [Oxford] MSS 56-60' (Diss. University of Illinois, 1988).
Smith, D.A. 'The Ebenthal Lute and Viol Tablatures. Thirteen New Manuscripts of Baroque Instrumental Music', EM 10 (1982), pp. 462-467.
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Spitzer, J. 'Grammar of Improvised Ornamentation. Jean Rousseau's Viol Treatise of 1687', Journal of Music Theory 33 (1989), pp. 299-332.
Stainer, J.F.R. 'Rebec and Viol', The Musical Times 41 (1900), pp. 596-597.
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Stoltzfus, I. 'Christopher Simpson's "Little Consort"', JVdGSA 21 (1984), pp. 53-63.
Straeten, E.S.J. van der. The History of the Violoncello, the Viola da Gamba, their Precursors and Collateral Instruments (London, 1914).
Strahle, G. 'Fantasy and Music in Sixteenth- and Seventeenth- Century England', Chelys 17 (1988), pp. 28-32.
Sullivan, W. V. 'Tobias Hume's First Part of Ayres (1605), JVdGSA 5 (1968), pp. 5-15; 6 (1969), pp. 13-33; 7 (1970), pp. 92-111; 8 (1971), pp. 64-93; 9 (1972), pp. 16-37.

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Taylor, P. 'Viol without Tears', The Recorder and Music Magazine 9 (1987), pp. 62-65.
Tessier, A. 'La "Gamme" de Marin Marais', Bulletin de la société de l'histoire de l'art français (1925), pp. 67-70.
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Teplow, D.A. Performance Practice and Technique in Marin Marais' Pieces de Viole, (Studies in Musicology 93, Ann Arbor, 1986).
Teplow, D. 'Rhetoric and Eloquence. Dramatic Expression in Marin Marais' Pieces de viole', JVdGSA 24 (1987), pp. 22-50.
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Thompson, C.H. 'Marin Marais' Pièces de Violes', MQ 46 (1960), pp. 482-499.
Thompson, R. 'The Sources of Locke's Consort "for Seaverall Freinds"', Chelys 19 (1990), pp. 16-43.
Thompson, R. '"Francis Withie of Oxon" and his Commonplace Book, Christ Church, Oxford, MS 337', Chelys 20 (1991), pp. 3-27.
Tourin, P. Viol List. A Comprehensive Catalogue of Viole da Gamba in Public and Private Collections (Duxbury, Vermont, 1979).
Traficante, F. The Mansell Lyra Viol Tablature (Diss. University of Pittsburgh, 1965).
Traficante, F. 'The Manchester Lyra Viol Tablature (Further Information)', JVdGSA 3 (1966), pp. 52-55.
Traficante, F. 'Music for the Lyra Viols. The Printed Sources', JVdGSA 5 (1968), pp. 16-33.
Traficante, F. 'Lyra Viol Tunings. "All the Ways Have Been Tryed to Do It"', Acta Musicologica 42 (1970), pp. 183-205.
Traficante, F. 'Henry Blakiston who? or Some Early Instruments at the Library of Congress', JVdGSA 10 (1973), pp. 29-80.
Traficante, F. 'Music for Lyra-Viol. Manuscript Sources', Chelys 8 (1978- 1979), pp. 4-22.

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Uchino, N. 'Catalogue of the European Musical Instruments in the Ueno Gakuen Collection, JVdGSA 23 (1986), pp. 27-50; 27 (1990), pp. 29-39.
Unwin, R. 'An English Writer on Music. James Talbot, 1664-1708', GSJ 40 (1987), pp. 53-72.
Urquhart, M. Style and Technique in the "Pièces de Viole" of Marin Marais (Diss. University of Edinburgh, 1970).
Urquhart, M. 'Prebendary Philip Falle (1656-1742) and the Durham Bass Viol Manuscript A. 27', Chelys 5 (1973-1974), pp. 7-20.
Urquhart, M. 'Sir Robert Bolles Bt. of Scampton', Chelys 16 (1987), pp. 16- 29.
Urquhart, M. 'Was Christopher Simpson a Jesuit?', Chelys 21 (1992), pp. 3- 26.

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Vaught, R. The Fancies of Alfonso Ferrabosco II (Diss. Stanford University, 1959).
Vaught, R. 'Mersenne's Unknown English Viol Player', GSJ 17 (1964), pp. 17- 23.
Vaught, R. 'Consorts. Whole or Broken?', JVdGSA 5 (1968), pp. 51-55.
Vellekoop, G. 'Christopher Simpsons "The Division-Viol"', Mens en Melodie 13 (1958), pp. 103-105.
Vieira Nery, Rui. 'New Sources for the Study of the Portuguese Seventeenth- Century Consort Music', JVdGSA 22 (1985), pp. 9-28.

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Wainwright, J.P. 'George Jeffreys' Copies of Italian Music', Royal Musical Association Research Chronicle 23 (1990), pp. 109-124.
Walls, P. 'Lyra Viol Song', Chelys 5 (1973-1974), pp. 68-73.
Warner, R. The Fantasia in the Works of John Jenkins (Diss. University of Michigan, 1951).
Warner, R. 'The Stearns Collection of Musical Instruments', JVdGSA 2 (1965), pp. 38-48.
Warner, R. 'John Jenkins's Four-Part Fancy (Meyer no. 14) in C minor. An Enharmonic Modulation around the Key Circle', Music Review 28 (1967), pp. 1-20.
Watson, S.R. 'The "Lordly Viol" in the Literature of the English Renaissance', JVdGSA 1 (1964), pp. 51-62.
Weidner, R.W. 'Change and Tradition in the Early In Nomine', JVdGSA 15 (1978), pp. 102-112.
Wenzinger, A. Gambenübung. Ein Lehrgang für Chorisches Gambenspiel. Erster Teil. Die Anfangsgründe (Kassel, 1935); Zweiter Teil. Technische Weiterbildung (Kassel, 1938).
Wenzinger, A. 'Zur Wiederbelebung des Gambenspiels', Deutsche Musikkultur 1 (1936-1937), pp. 158-165.
Wenzinger, A. 'Zur Wiederbelebung des Gambenspiels', Zeitschrift für Hausmusik 20 (1956), pp. 69-75.
Wenzinger, A. 'Über die Benennungen der Violen', Zeitschrift für Hausmusik 23 (1959), pp. 80-83.
Wenzinger, A. 'Die Viola da Gamba in Händels Oratorium La Resurrezione', ÖMZ 42 (1987), pp. 80-83.
Wess, J. 'Musica Transalpina, Parody, and the Emerging Jacobean Viol Fantasia', Chelys 15 (1986), pp. 3-25.
Whittaker, J. 'As Others Saw Us', Chelys 3 (1971), pp. 19-21.
Willets, P. 'John Lilly. A Redating', Chelys 21 (1992), pp. 27-38.
Willets, P. 'John Barnard's Collection of Viol and Vocal Music', Chelys 20 (1991), pp. 28-42.
Willets, P. 'Stephen Bing. A Forgotten Violist', Chelys 18 (1989), pp. 3- 17.
Willets, P. 'Sir Nicholas Le Strange and John Jenkins', ML 42 (1961), pp. 30-43.
Williamson, N. 'The Viola da Gamba', GSJ 23 (1970), pp. 119-120.
Williamson, N. 'The Musical Instrument Collection at Boston', JVdGSA 3 (1966), pp. 26-33.
Williamson, N. 'Construction of the Viola da Gamba', American String Teacher 19 (1969), pp. 12 ff.
Winzap, F. 'Apologie de la viole de gambe', Revue musicale de la Suisse Romande 25 (1972), pp. 13 ff.
Witten II, L.C. 'Apollo, Orpheus, and David. A Study of the Crucial Century in the Development of Bowed Strings in North Italy 1480-1580 as Seen in Graphic Evidence and Some Surviving Instruments', Journal of the American Musical Instrument Society 1 (1975), pp. 5-55.
Woodfield, I. 'The Early History of the Viol', PRMA 103 (1976-1977), pp. 141-157.
Woodfield, I. The Origins of the Viol (Diss. University of London, 1977).
Woodfield, I. 'Viol Playing Techniques in the mid-16th Century. A Survey of Ganassi's Fingering Instruction', EM 6 (1978), pp. 544-550.
Woodfield, I. 'Posture in Viol Playing', EM 6 (1978), pp. 36-40.
Woodfield, I. 'Dudley Ryder 1715-1716. Extracts from the Diary of a Student Viol Player', JVdGSA 21 (1984), pp. 64-68.
Woodfield, I. The Early History of the Viol (Cambridge, 1984).
Woodfield, I. 'The Younger Sainte-Colombe in Edinburgh', Chelys 14 (1985), pp. 43-44.
Woodfield, I. 'The Firts Earl of Sandwich, a Performance of William Lawes in Spain, and the Origins of the Pardessus de Viole', Chelys 14 (1985), pp. 40-42.
Woodfield, I. 'El Primer Conde de Sandwich, una Interpretacion de William Lawes en Espana y los Origenes del Pardessus de Viole', Musica Antiqua 6 (1986-1987), pp. 6-7.
Woodfield, I. 'String-making in 17th-Century Padua. An English Traveller's Description', GSJ 41 (1988), pp. 109-112.
Woodfield, I. 'Recent Research on the Viol', JVdGSA 25 (1988), pp. 53-56; 26 (1989), pp. 83-86; 27 (1990), pp. 40-42; 28 (1991), pp. 49-52.
Woodfill, W.L. Musicians in English Society from Elizabeth to Charles I, (Princeton Studies in History, Princeton, 1953).
Woodford, A. 'Music for Viol in Tablature', Chelys 2 (1970), pp. 23-33.
Wynn, S.J. 'Karl Friedrich Abel. Some Contemporary Impressions', JVdGSA 10 (1973), pp. 5-10.

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